The following analysis contains details and opinions about the conclusion of the film. Warning: Spoilers for the ending of “Nocturnal Animals” are discussed below. Suffice it to say that while a lot gets written, even more of the story lies between the lines. Susan becomes enraptured by her former spouse’s manuscript while also recounting and reflecting upon the lead-up to how their marriage ended. Husband #1, Edward ( Jake Gyllenhaal), has written his seminal novel - a disturbing tale about a family of three (husband, wife, daughter) whose road trip takes a horrifying detour. Susan ( Amy Adams) is a gallery owner entering a crossroads in her second marriage when her first husband abruptly re-enters the picture. Now on Netflix, “Nocturnal Animals” tells two interconnected tales without questioning the sanity of its main character. Most of what they are left to deal with comes down to the movie’s final scenes, which begs many questions that might have answers.īefore getting into the thought-provoking ending, let’s set some ground rules and explain why the movie is getting discussed five years after its release in 2016. By the end, viewers are left to sort out the dizzying details of a sordid and intricately plotted drama. You might not even know it, but it’ll inform the audience of who that character is.What does any of it mean? “Nocturnal Animals” has the kind of ending that leaves you wondering, thanks to its artistically rendered ambiguity. There are all kinds of signatures, and things, that as a costume designer, become talisman-an aspect that will not only visually inform but your eye may register them. He’s in Texas and has a certain swagger to his character. He has different signifiers as well, like the cowboy hat. He’s a man who has his own suffering that he’s dealing with. We had this backstory that it was a ring he took from a young girl that he raped.”Īs for Michael Shannon’s character, a detective who takes Gyllenhaal’s character under his wing, Phillips explained, “He had a rogue quality to him, in that he is really about justice at any cost. We thought that is the kind of birthstone-jewelry that a 16-year-old girl would have. He also wears a woman’s pinky ring in the movie, but it is actually a scary thing. And we liked the intensity of them being green. He has this bravado and is in Texas, so he wears cowboy boots. “I had these green cowboy boots made, which we thought were just off-putting in the right way. “There are a couple really good clues that Tom and I had a lot of fun with for Aaron Taylor-Johnson’s character,” says Phillips of the story’s villain. Tom has this exacting ability to communicate on the visual level.” And because of their shorthand, Phillips said that she had a fun time brainstorming costume clues for the characters played by Amy Adams, Jake Gyllenhaal, Michael Shannon, Aaron Taylor-Johnson.Īhead, Phillips shares some secrets about designing the looks for the thriller, which features an art gallery owner (Adams) haunted by a disturbing novel written by her ex-husband (Gyllenhaal) that seems to be a story of sordid revenge. “Most directors don’t have the vernacular to speak in aesthetics, but they speak about story. “The ability to communicate aesthetics is always a very challenging thing for directors,” Phillips explained on the phone last month, while discussing her work on their second on-screen collaboration, Nocturnal Animals, out in theaters Friday. The only area where the line between Ford the fashion designer and Ford the filmmaker blurs is when it comes to Ford’s vocabulary, which allows him to communicate aesthetic ideas with Phillips as efficiently as possible. Oscar-nominated costume designer Arianne Phillips ( Walk the Line, W.E.) likes to say that she works with Tom Ford “the movie director, not the fashion designer.” What Phillips, who costumed Ford’s cinematic debut, A Single Man, means is that while Ford’s name is synonymous with sophisticated fashion, the filmmaker cedes complete sartorial control to Phillips on set.
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